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  • Asian Future
Birdshot
[ Birdshot ]
Director: Mikhail Red
  • Drama
  • Suspense
World Premiere
Watch trailerScene Stills
©PelikulaRED, TBA Productions
TOHO CINEMAS Roppongi Hills SCREEN1
10/28 13:50- (116min) -
  • Q&A
Guest (tentative): Q&A: Mikhail Red(Director/Screenplay/Editor), Mary Joy Apostol(Actress), Arnold Reyes(Actor), Pamela L. Reyes(Producer)
Tickets ¥1300
Tickets (student) ¥1000
Tickets at the Door (student) ¥500 Available from 0:00
TOHO CINEMAS Roppongi Hills SCREEN1
11/01 20:50- (116min) -
  • Q&A
Guest (tentative): Q&A: Mikhail Red(Director/Screenplay/Editor), Mary Joy Apostol(Actress), Arnold Reyes(Actor), Pamela L. Reyes(Producer)
Tickets ¥1300
Tickets (student) ¥1000
Tickets at the Door (student) ¥500 Available from 0:00
Situation of seats
:Still seats available :Only few seats left
:Tickets for Primary Sales are sold out
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Please note that the stage appearances of guests and scheduled time of the show may change according to circumstances.
Introduction
Maya, a farmer’s daughter, accidentally kills an endangered Philippine Eagle in a forest reserve. When the police investigate, other horrifying crime cases are soon revealed… The second feature by Mikhail Red (Rekorder) is a thrilling, multilayered mystery. The Philippine Eagle, measuring about 1 meter in length, is the largest in the world. With fewer than 200 surviving, it is critically endangered due to deforestation and overhunting for taxidermy.

Birdshot is a mystery-drama that tells the story of a young farm girl who wanders off into a Philippine forest reserve. Deep within the reservation she mistakenly shoots and kills a critically endangered and protected Philippine Eagle. As the local authorities begin a manhunt to track down the poacher of a national bird, their investigation leads them to an even more horrific discovery.

[Director's Message]
We may lose our way as we navigate through the wilderness of the world around us, but we will always find a way back and find ourselves. Sometimes we may feel that we are the last of our kind as seekers of hope, yet just like the Philippine Eagles, we remain, struggling to exist, in search of a truth that is perhaps endangered but never extinct.
Data
Director Mikhail Red

Born in Manila, the Philippines in 1991, Mikhail Red is a Filipino filmmaker. His first feature Rekorder premiered at the Tokyo International Film Festival and won the Best New Director at the Vancouver International Film Festival. His latest film Birdshot won production funding from the Doha Film Institute and the CJ Entertainment Award at BIFF's Asian Project Market.

Staff Director/Screenplay/Editor : Mikhail Red
Producer : Pamela L. Reyes
Screenplay : Rae Red
Executive Producer : Fernando Ortigas
Executive Producer : E. A. Rocha
Co-Executive Producer : Maricris Calilung
Co-Executive Producer : Ting Nebrida
Director of Photography : Mycko David
Production Designer : Michael Español
Music : Teresa Barrozo
Editor : Jay Halili
Cast Mary Joy Apostol
Arnold Reyes
John Arcilla
Ku Aquino
Website
116min. Color Filipino [Subtitled in English and Japanese] | 2016 The Philippines, Qatar |
TIFF Online Ticket
Online Reservation
Ticket will be available through smart phone / tablet / PC.
Service Hours: 24 hours a day
Until 20 min. after the last screening on Nov. 3 Thu
TIFF Ticket Information Center
Toll-free number: 0120-656-339(10:00-19:00/ daily)
Number: 050-3786-0368 (12:00-18:00/ daily)
Telephone Reservation
An operator will assist your purchase.
Number: 050-3786-8066
Service Hours: Until Oct. 29 Sat
10:00am~20:00pm everyday
Reservation is acceptable until 5 days before screening day.
Sales at TIFF Ticket Center from Oct. 25 Tue
TIFF Ticket Center (Roppongi Hills 2F O-YANE PLAZA)
Service Hours: Oct. 25 Sat~Nov. 3 Thu
from 9:30am until 20 min. after the start of the venue's last screening of the day.
Tickets for EX Theater Roppongi can be purchased at the ticket sales counter located at TIFF Ticket Center.
All-night screening tickets are also available at the temporary ticket sales counter at the theater after TIFF Ticket Center is closed.
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